tag:blogger.com,1999:blog-80252911893704957112024-03-13T23:29:09.154-07:00Young FolksAmsterdamist sain selle nakkuse armsa(te) inimesega/inimestega aega viites :)WaffaDrunkerhttp://www.blogger.com/profile/15228676621005775189noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-8025291189370495711.post-13914735685522601532015-03-28T11:17:00.002-07:002015-03-28T11:17:50.019-07:00weird music<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td bgcolor="#669999" colspan="2"><span style="color: white;"><strong><br />ALIEN TRANSISTOR (GERMANY)</strong></span></td>
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<td bgcolor="#ffffff" valign="top" width="110"><br /> <a href="http://www.forcedexposure.com/bin/search.pl?search_string=N+035CD&searchfield=exkeyword" target="_blank"> <span style="color: white;"> <img alt="N 035CD" border="0" height="104" src="http://www.forcedexposure.com/product_images/n/N035CD.JPEG" width="104" /></span></a></td>
<td bgcolor="#ffffff" valign="top" width="440"><br /><a href="http://www.forcedexposure.com/bin/search.pl?search_string=N+035CD&searchfield=exkeyword" target="_blank"> <strong>SAROOS: <em>Return</em> CD (N 035CD)</strong></a> <strong>15.50</strong><br />Click-clack,
click-clack, click-clack: The beat of riding on a train before the
invention of pneumatic suspension was no jazz. But combined with the
landscape passing by the window, its steady, pulsing beat had
consequences. Digressing thoughts, imagination kicking in -- this
principle can be heard on Saroos' third album. The three band members,
who live in Berlin and Munich, have toured Italy by train numerous
times. They liked it a lot -- you travel more slowly, you tour at low
revs, with enough click-clack to make it click in the head. Take "Tsalal
Nights." A rhythm, as straight as if drawn with a sewing machine, yet
the music lets your brain whir casually and playfully in all sorts of
directions. Retro-futurism in a slightly psychoactive form -- more H.P.
Lovecraft than Jules Verne. "Spiaggia di Pluto" throbs in
extraterrestrial chill, but with the stylish coolness of a
Kubrick-space-lounge in the year 2001, whereas "Kraken Mare" lets the
listener float through a sea of glacial sounds -- and then, in the
closing moments, tugs them in a rhythmic eddy. Compared to their earlier
albums, the beat seems so unrestrained that the sound has sufficient
room. Sometimes jungle-electro-exotica wobbles through the undergrowth
of sound in elliptic circles, sometimes the foghorn strikes up a savage
dub, as if King Tubby was circulating through the analog nirvana after a
particularly massive spliff. This makes the album not only more
organic, but also more social. More man, less machine. When guests came
round in the studio, the samplers remained turned off. This, of course,
leaves marks. Not all as big as Fenster's Tadklimp, who contributed a
bagful of sounds and had his fingers on the mixing console. Whoever
expected a jam album from Saroos? But this is it.</td></tr>
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<a href="http://www.forcedexposure.com/bin/search.pl?search_string=LITA+099LP&searchfield=exkeyword" target="_blank"> </a><br />
<table align="center" border="0" cellpadding="2" cellspacing="0" style="width: 550px;"><tbody>
<tr><td bgcolor="#669999" colspan="2"><span style="color: white;"><strong>LIGHT IN THE ATTIC</strong></span></td>
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<td bgcolor="#ffffff" valign="top" width="110"><br /> <a href="http://www.forcedexposure.com/bin/search.pl?search_string=LITA+098CD&searchfield=exkeyword" target="_blank"> <span style="color: white;"> <img alt="LITA 098CD" border="0" height="104" src="http://www.forcedexposure.com/product_images/l/LITA098CD.JPEG" width="104" /></span></a></td>
<td bgcolor="#ffffff" valign="top" width="440"><br /><a href="http://www.forcedexposure.com/bin/search.pl?search_string=LITA+098CD&searchfield=exkeyword" target="_blank"> <strong>ERICKSON, ROKY: <em>Don't Slander Me</em> CD (LITA 098CD)</strong></a> <strong>15.00</strong><br />"Housed
in a deluxe gatefold 'tip-on' jacket with 18 page booklet, liner notes
by Joe Nick Patoski. Includes rare/unseen archive photos and ephemera.
If The Evil One was the album that broke Erickson out of the indie
ghetto and brought him to a worldwide audience, the follow-up, 1986's
Don't Slander Me was the one that showcased his rock and roll
sensibilities like no recording before. Losing the more out-there and
exotic elements of earlier and future albums, it presents us with
Erickson the rocker, playing punk, rockabilly, blues and -- in 'Burn the
Flames,' later found on the Return of the Living Dead soundtrack --
even power ballads. Erickson was just 15 when he wrote 'You're Gonna
Miss Me,' the song that epitomized the garage rock movement and inspired
punks, rockers, and noisemakers ever since. In another life, Erickson
and Austin-based band could have been as big as any of the '60s legends
still making music today. But fate took Erickson down a meandering path
via the Houston psychiatric hospital where he was institutionalized for
almost a decade following a diagnosis with paranoid schizophrenia in
1968. Erickson's experiences in the hospital proved to be fertile
inspiration for his music -- on leaving, he formed the group Roky
Erickson and the Aliens and began penning songs about zombies, demons,
vampires, and -- to counter the B-movie monsters, the real-life monsters
of social injustice."<br /> </td>
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<td bgcolor="#ffffff" valign="top" width="110"><br /> <a href="http://www.forcedexposure.com/bin/search.pl?search_string=LITA+098LP&searchfield=exkeyword" target="_blank"> <span style="color: white;"> <img alt="LITA 098LP" border="0" height="104" src="http://www.forcedexposure.com/product_images/l/LITA098LP.JPEG" width="104" /></span></a></td>
<td bgcolor="#ffffff" valign="top" width="440"><br /><a href="http://www.forcedexposure.com/bin/search.pl?search_string=LITA+098LP&searchfield=exkeyword" target="_blank"> <strong>ERICKSON, ROKY: <em>Don't Slander Me</em> 2LP (LITA 098LP)</strong></a> <strong>26.00</strong><br />""If
The Evil One was the album that broke Erickson out of the indie ghetto
and brought him to a worldwide audience, the follow-up, 1986's Don't
Slander Me was the one that showcased his rock and roll sensibilities
like no recording before. Losing the more out-there and exotic elements
of earlier and future albums, it presents us with Erickson the rocker,
playing punk, rockabilly, blues and -- in 'Burn the Flames,' later found
on the Return of the Living Dead soundtrack -- even power ballads.
Erickson was just 15 when he wrote 'You're Gonna Miss Me,' the song that
epitomized the garage rock movement and inspired punks, rockers, and
noisemakers ever since. In another life, Erickson and Austin-based band
could have been as big as any of the '60s legends still making music
today. But fate took Erickson down a meandering path via the Houston
psychiatric hospital where he was institutionalized for almost a decade
following a diagnosis with paranoid schizophrenia in 1968. Erickson's
experiences in the hospital proved to be fertile inspiration for his
music -- on leaving, he formed the group Roky Erickson and the Aliens
and began penning songs about zombies, demons, vampires, and -- to
counter the B-movie monsters, the real-life monsters of social
injustice. 2LP housed in a deluxe gatefold 'tip-on' jacket with liner
notes by Joe Nick Patoski. Includes download card for the full album, an
etching on side D by artist Travis Millard, plus rare/unseen archive
photos and ephemera."<br /> </td>
</tr>
<tr>
<td bgcolor="#ffffff" valign="top" width="110"><br /> <a href="http://www.forcedexposure.com/bin/search.pl?search_string=LITA+099CD&searchfield=exkeyword" target="_blank"> <span style="color: white;"> <img alt="LITA 099CD" border="0" height="104" src="http://www.forcedexposure.com/product_images/l/LITA099CD.JPEG" width="104" /></span></a></td>
<td bgcolor="#ffffff" valign="top" width="440"><br /><a href="http://www.forcedexposure.com/bin/search.pl?search_string=LITA+099CD&searchfield=exkeyword" target="_blank"> <strong>ERICKSON, ROKY: <em>Gremlins Have Pictures</em> CD (LITA 099CD)</strong></a> <strong>15.00</strong><br />"Housed
in a deluxe gatefold 'tip-on' jacket with 32 page booklet, liner notes
by Joe Nick Patoski. Includes rare/unseen archive photos and ephemera.
By 1986, Roky Erickson's career had endured twists, turns, and a
late-period purple patch marked by incredible music and self-destructive
behavior. The Evil One (LITA 097) broke him out of the indie
underground and Don't Slander Me showed off his rock 'n' roll
sensibilities. But Erickson was difficult to manage -- and patience was
running out. 'I'd given up after the second album,' Erickson's
then-manager, Craig Luckin, has said. 'I had enough.' Yet a third album
-- arguably his best -- was to be found, if not created. Gremlins Have
Pictures is an anthology of Erickson's solo work following his extended
incarceration at the Rusk State Hospital for the criminally insane,
beginning with his first live performance (opening for a screening of
the Texas Chainsaw Massacre in Austin) all the way to Don't Slander Me
(LITA 098). Collected here, the odds and ends of Erickson's
post-incarceration work tell a story of a man finding his musical feet,
ranging from Dylan-like folk strumming to the big, Neil Young-like rock
of the unparalleled 'Anthem (I Promise).' The span of time is great --
from The Ritz Theatre tracks, recorded in Austin in 1975, at the debut
performance by The Aliens, to those troubled Don't Slander Me off-cuts.
Other tracks were cut with the Explosives, the band Roky started working
with at Raul's punk club in Austin after he'd returned to Austin in
1979, following the departure of the Aliens. Together the various tracks
deftly summarize Roky Erickson's recording career."<br /> </td>
</tr>
<tr>
<td bgcolor="#ffffff" valign="top" width="110"><br /> <a href="http://www.forcedexposure.com/bin/search.pl?search_string=LITA+099LP&searchfield=exkeyword" target="_blank"> <span style="color: white;"> <img alt="LITA 099LP" border="0" height="104" src="http://www.forcedexposure.com/product_images/l/LITA099LP.JPEG" width="104" /></span></a></td>
<td bgcolor="#ffffff" valign="top" width="440"><br /><a href="http://www.forcedexposure.com/bin/search.pl?search_string=LITA+099LP&searchfield=exkeyword" target="_blank"> <strong>ERICKSON, ROKY: <em>Gremlins Have Pictures</em> LP + 7" (LITA 099LP)</strong></a> <strong>24.00</strong><br />""By
1986, Roky Erickson's career had endured twists, turns, and a
late-period purple patch marked by incredible music and self-destructive
behavior. The Evil One (LITA 097) broke him out of the indie
underground and Don't Slander Me showed off his rock 'n' roll
sensibilities. But Erickson was difficult to manage -- and patience was
running out. 'I'd given up after the second album,' Erickson's
then-manager, Craig Luckin, has said. 'I had enough.' Yet a third album
-- arguably his best -- was to be found, if not created. Gremlins Have
Pictures is an anthology of Erickson's solo work following his extended
incarceration at the Rusk State Hospital for the criminally insane,
beginning with his first live performance (opening for a screening of
the Texas Chainsaw Massacre in Austin) all the way to Don't Slander Me
(LITA 098). Collected here, the odds and ends of Erickson's
post-incarceration work tell a story of a man finding his musical feet,
ranging from Dylan-like folk strumming to the big, Neil Young-like rock
of the unparalleled 'Anthem (I Promise).' The span of time is great --
from The Ritz Theatre tracks, recorded in Austin in 1975, at the debut
performance by The Aliens, to those troubled Don't Slander Me off-cuts.
Other tracks were cut with the Explosives, the band Roky started working
with at Raul's punk club in Austin after he'd returned to Austin in
1979, following the departure of the Aliens. Together the various tracks
deftly summarize Roky Erickson's recording career. LP housed in a
deluxe gatefold 'tip-on' jacket with eight page booklet, liner notes by
Joe Nick Patoski, and a bonus 7" containing tracks 13-16 from the CD.
Includes download card for the full album plus rare/unseen archive
photos and ephemera."</td></tr>
</tbody></table>
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Waffahttp://www.blogger.com/profile/07098830060455284824noreply@blogger.com0tag:blogger.com,1999:blog-8025291189370495711.post-54062594619648942322011-07-13T01:23:00.000-07:002011-07-13T04:30:02.712-07:00Make your files social besides your identityI wonder, how come my computer is not so social, jet. <br />Everything i have in my storing devices can be accessed people with better computer skills/tools. So why bother to secure them, close them off from everyday surfers? <br /><br /><br />Story how computer's go online and how we are not afraid anymore. <br />Potential of computing & "social-pc portal"<br /><br />The basics:Waffahttp://www.blogger.com/profile/07098830060455284824noreply@blogger.com0tag:blogger.com,1999:blog-8025291189370495711.post-24518370252309856152006-08-31T03:02:00.000-07:002008-02-21T04:30:36.589-08:00Peter Björn and John - Young Folks<div style="text-align: center; font-family: webdings;"> if i told you things i did before<br />told you how i used to be<br />would you go along with someone like me<br />if you knew my story word for word<br />had all of my history<br />would you go along with someone like me<br /><br />i did before and had my share<br />it didn't lead nowhere<br />i would go along with someone like you<br />it doesn't matter what you did<br />who you were hanging with<br />we could stick around and see this night through<br /><br />and we don't care about the young folks<br />talkin' 'bout the young style<br />and we don't care about the old folks<br />talkin' 'bout the old style too<br />and we don't care about our own folks<br />talkin' 'bout our own style<br />all we care about is talking<br />talking only me and you<br /><br />usually when things has gone this far<br />people tend to disappear<br />no one would surprise me unless you do<br />i can tell there's something goin' on<br /><br /><br />hours seem to disappear<br />everyone is leaving i'm still with you<br /><br />it doesn't matter what we do<br />where we are going to<br />we can stick around and see this night through<br /><br />and we don't care about the young folks<br />talkin' 'bout the young style<br />and we don't care about the old folks<br />talkin' 'bout the old style too<br />and we don't care about our own folks<br />talkin' 'bout our own style<br />all we care about is talking<br />talking only me and you<br /><br />and we don't care about the young folks<br />talkin' 'bout the young style<br />and we don't care about the old folks<br />talkin' 'bout the old style too<br />and we don't care about our own folks<br />talkin' 'bout our own style<br />all we care about is talking<br />talking only me and you<br />talking only me and you<br /><br />talking only me and you<br />talking only me and you<img src="http://www.metrolyrics.com/images/l/2147446191.jpg" height="1" width="1" /><br /><br /></div>WaffaDrunkerhttp://www.blogger.com/profile/15228676621005775189noreply@blogger.com0